The Hate U Give: Further Readings

A firsthand account of the 2014 Ferguson uprising that challenges how we document and report on political unrest.   Jacqui Germain's debut collection, Bittering the Wound, is a first-person retelling of the 2014 Ferguson uprising. Part documentation, part conjuring, this collection works to share the narrative of the event with more complexity, audacity, care, and specificity than public media accounts typically allow. Throughout the book, Germain also grapples with navigating the impacts of sustained protest-related trauma on mental health as it relates to activism and organizing. The book also takes occasional aim at the media that sensationalized these scenes into a spectacle and at the faceless public that witnessed them.   Bittering the Wound challenges the way we discuss, write about, and document political unrest. It offers fresh language and perspective on a historic period that reverberated around the world. Germain takes the reader through poems that depict a range of scenes--from mid-protest to post-protest--and personifies St. Louis with a keen and loving eye.   Bittering the Wound was selected by Douglas Kearney as the winner of the 2021 CAAP Book Prize.  

In her provocative and landmark book, Suspicion Nation, Lisa Bloom, who covered the trial from gavel to gavel, posits that none of this was a surprise: Our laws, culture, and blind spots created the conditions that led to Trayvon Martin's death, and made George Zimmerman's acquittal by far the most likely outcome.

Our Black Sons Matter features contributions from women across the racial spectrum who are raising or have raised black sons--whether biologically their sons or not. The book courageously addresses painful trauma, challenges assumptions, and offers insights and hope through the deep bonds between mothers and their children.

Invisible No More is a timely examination of how Black women, Indigenous women, and women of color experience racial profiling, police brutality, and immigration enforcement. Placing stories of individual women--such as Sandra Bland, Rekia Boyd, Dajerria Becton, Monica Jones, and Mya Hall--in the broader context of the twin epidemics of police violence and mass incarceration, it documents the evolution of movements centering women's experiences of policing and demands a radical rethinking of our visions of safety--and the means we devote to achieving it.

An intimate portrait of Trayvon Martin shares previously untold insights into the movement he inspired from the perspectives of his parents, who also describe their efforts to bring meaning to his short life through the movement's pursuit of redemption and justice.

Mothering While Black examines the complex lives of the African American middle class--in particular, black mothers and the strategies they use to raise their children to maintain class status while simultaneously defining and protecting their children's "authentically black" identities. Sociologist Dawn Marie Dow shows how the frameworks typically used to research middle-class families focus on white mothers' experiences, inadequately capturing the experiences of African American middle- and upper-middle-class mothers.

Examining racial profiling in American policing, Naomi Zack argues against white privilege discourse while introducing a new theory of applicative justice. Zack draws clear lines between rights and privileges and between justice and existing laws to make sense of the current crisis.

Tupac Shakur's most intimate and honest thoughts were uncovered only after his death with the instant classic The Rose That Grew from Concrete.

Deadly Injustice uses the Martin/Zimmerman case as a springboard to examine race, crime, and justice in our current criminal justice system. Contributors explore how race and racism informs how Americans think about criminality, how crimes are investigated and prosecuted, and how the media interprets and reports on crime.

For black American women, the experience of being bound has taken many forms: from the bondage of slavery to the Reconstruction-era criminalization of women; from the brutal constraints of Jim Crow to our own era's prison industrial complex, where between 1980 and 2014, the number of incarcerated women increased by 700%.* For those women who lived and died resisting the dehumanization of confinement--physical, social, intellectual--the threat of being bound was real, constant, and lethal. In A Bound Woman Is a Dangerous Thing, Hill presents bitter, unflinching history that artfully captures the personas of these captivating, bound yet unbridled African-American women. Hill's passionate odes to Zora Neale Hurston, Lucille Clifton, Fannie Lou Hamer, Grace Jones, Eartha Kitt, and others also celebrate the modern-day inheritors of their load and light, binding history, author, and reader in an essential legacy of struggle. *The Sentencing Project

The New York Times called the Speed Art Museum's Promise, Witness, Remembrance -- centered around artist Amy Sherald's portrait of Breonna Taylor and originally commissioned by Ta-Nehisi Coates for the cover of Vanity Fair magazine -- one of the best art exhibitions of 2021. Remembrance is a vital addition to the canon of Black American art.

In the midst of civil unrest in the summer of 2020 and following the murders of George Floyd, Breonna Taylor, and Ahmaud Arbery, Elizabeth Alexander--one of the great literary voices of our time--turned a mother's eye to her sons' and students' generation and wrote a celebrated and moving reflection on the challenges facing young Black America.

Find out everything you need to know about The Hate U Give in a fraction of the time! This in-depth and informative reading guide brings you: - A complete plot summary - Character studies - Key themes and symbols - Questions for further reflection Why choose BrightSummaries.com?